Designed for the needs of the recording professional, the PreSonus Quantum 4848 is the perfect solution to take your analog gear into the digital domain. With the exception of MOTU’s 16A, there is nothing – and I do mean nothing – new at retail even close to the $1500 mark that gives you this many inputs and outputs. The Quantum’s DAC gave me a very “real” picture of where things sat, not just from left to right, but from front to back, and even behind. With the Quantum 4848, your audio interface is an integrated extension of your recording environment. Baton Rouge, LA (December 11, 2018)—PreSonus is shipping the new Quantum 4848 24-bit, 192 kHz, Thunderbolt audio interface. Designed for the needs of the recording professional, the PreSonus Quantum 4848 Thunderbolt 2 Audio Interface is the perfect solution to take your analog gear into the digital domain. The professional edition of PreSonus Studio One is included.). The unit’s converters allow for low-latency recording, as well as dynamic ranges greater than 120 dB on both the ADC (analog to digital) and DAC (digital to analog) side. Rear panel DB25 line-level I/O makes connecting your Quantum 4848 to your existing analog patchbay a breeze. Despite the sheer amount of routing, the Quantum never felt like it was choking, smearing the phase, narrowing the stereo field or introducing any of the usual audio gremlins associated with so many trips from binary to voltage and back. I get it, converters are not a fun purchase. I have no doubt, having worked on almost all of the above that the PreSonus can hold its own. On playback I routed the dry track out through the same processing chain and tried A/B-ing the two. Overall I could not be happier with the Presonus Quantum series. The PreSonus Quantum 4848 is a low-latency audio interface which, via analog and ADAT connections, gives you up to 48 inputs and up to 48 outputs. The Presonus Quantum 4848 is a pro level interface for a relatively low price. And frankly, you simply can not physically fit that many TRS or XLR connections on a 1U unit – it’s not physically possible. As a partner, you can be assured that our team understand your audience well. You can literally convert and reconvert into the analog domain at will without sacrificing depth or quality. Why you can trust us…The Production Expert team are first and foremost professionals working daily in music and post-production. Church actually started his journey on analog tape and consoles, a fact that he is alternately ashamed and proud of. As in literally none. Avoid snakes that are for AES/EBU or Yamaha connections – the routing is different.). The Quantum 4848's Thunderbolt 2 is one of the fastest connections available in no frills fashion. To be sure, those line-only interfaces are still available… but they are aimed at the highest echelons of professional settings and as such, are not cheap. Playback from the Quantum into my main monitors (Dynaudio BM15A) was very nuanced, very crisp and had a very pointed stereo image. My computer, a 2018 Mac Mini (6-core 3.2gHz i7, 32GB RAM, still running Mojave as of press time) needed a single restart after installation and the two have been the bestest of pals since. The PreSonus Quantum 4848 offers stunningly real, bell-clear, natural and realistic A/D/A conversion with signal “round trip” times besting any other unit at its price point. The bass was recorded with both the piezo pickup and an SM81 pointed at the middle of the neck through two more 1081s. I started off by getting back to work on a very-behind-schedule music library project in the harder metal-type vein. Would I be afraid to put the Quantum against these considerably pricier competitors? But the MBox, with its quirky monolith form factor, bundled ProTools LE software and “designed by Focusrite” preamps gave aspiring producers a complete turnkey solution – all at the end of a single USB cable. It neither gives nor takes away a single 10th of a decibel across the stated response. What I want – and what the PreSonus delivers in spades – is an exacting replica of what you feed it. PreSonus have released the Quantum 4848 Thunderbolt interface. It even revealed the compressor working just a bit too hard and I subsequently backed it off from a setting that’s been untouched for a year. First introduced in 2017, the Quantum range from PreSonus is designed to get pro results while still being priced attractively to newcomers and enthusiasts. I’m guessing this is the only way it is possible to get so much IO into a 1U rack. It’s just the nature of the beast. I cant think of another interface of this quality for this price. In physical acoustics parlance, that’s like hearing the original source from about a foot away. The 1U rackmount 48x48-channel interface is a fast, excellent-sounding interface that takes advantage of high-speed Thunderbolt 2 connectivity to achieve extremely low latency. all bringing handsome desktop and rack-mount packages to market in an endless variety of configurations. Gone are the front panel mic preamps, the headphone outputs, the guitar inputs, the monitor control… leaving nothing but a row of multicolor LEDS, a power button and a sample rate indicator. (Now THAT’s a lot of I/O. Couldn’t hear a difference. ), Internet connection (required for Studio One Activation and Content download), Internal or external 7200 RPM storage drive highly recommended. My only gripe with the Quantum interfaces are the external power supply. I then had a session with a female vocalist doing some tracks with an almost 90’s Portishead trip-hop kind of vibe. PRESONUS Quantum 4848 | 48x48 Thunderbolt 2 / 192kHz, To leave feedback please select your rating above or login to leave a written review: PreSonus, the makers of Studio One, continue to make inroads into pro recording studios with the announcement of the Quantum 4848: 24-bit 192 kHz Thunderbolt Audio Interface with … At first glance, it looks out of place with every other interface in the $1-2k price range. The PreSonus Quantum 4848 delivers all of the above. The lower registers came in very round and even. Between Thunderbolt 2’s quick-footed 20mbps data speeds and the wonderful lack of an intermediary “mix control” software layer, seeing Cubase Pro’s latency times in setup mode made me do a triple-take. It bears mentioning that, as you’d expect, Studio One integrates almost transparently with the Quantum series. And the line-lump power supply? B. I was immediately satisfied with the amount of clarity the Quantum provided. The round trip latency is below 1ms, you can easily monitor performances — including plug-in processing —through your DAW with no performance-killing latency. Complete digital integration for the analog studio. One of the benefits of using the Quantum interfaces is the sheer speed. I did not test the Quantum with an external word clock source – nor did I hear any of the telltale signs that the clocking was unstable (this was a far bigger issue twenty years ago – and it’s fairly uncommon to see project studios using a dedicated digital clock). As the name implies, the 16A gives you 16. It’s just that good. Putting together a project studio with a significant amount of outboard gear can leave you pining for the converters of yore, those drab boxes without the needless perks. The first harmonic (62hz) being more important, what with it being audible and all, translated wonderfully. I made some A/B WAV files and sent them to two friends for an honest blind taste test assessment. Mac® OS X 10.11.6 64-bit or later Intel® Core™ i5 or better, Windows® 10 64-bit or later Intel Core i5 or better, Thunderbolt™ 1.0, 2.0, or 3.0 port (Note: Your computer's motherboard must support Thunderbolt. And no doubt, Antelope are well-revered for the quality of their converters and bundled software. Even in days of yore, when going from microphone to console, console to recorder, recorder back to console and console to monitors, 2 or 3ms was more than acceptable. Not everyone with a project studio is fresh off the proverbial turnip truck. Baton Rouge, Louisiana, September 2018… PreSonus® is shipping the new Quantum 4848 24-bit, 192 kHz, Thunderbolt™ audio interface, a professional recording solution that includes the company’s Studio One® Professional recording, mixing, and mastering software for macOS® and Windows®. Green means go, yellow means slow and red means… well… red in digital terms is never a good thing. Users can stack up to four Quantum units for a 192-input configuration (if you need that much for your home studio, you don’t need a bigger interface, you need an intervention). Simply put, having the 32 analog inputs right out of the box is far more than you’re going to get with anything else even close to the price. But DAW choice aside, once you’re set up with all the appropriate routing, the Quantum’s handsome amount of ins and outs put the world back at your feet. Of course, at this point I wasn’t really using the Quantum for what I need it for. PreSonus gives you an additional option – you can always use the included UC Surface software, which gives you far more detailed plasma-style metering, as well as the ability to switch the front panel indicators to input or output levels (or, again, you just use your DAW’s metering). With that in mind (and ensuring my hardware latency compensation was properly engaged), I started routing individual instruments, effects busses and sub groups out into my racks, using the Quantum as a virtual patchbay. Reverbs felt more dimensional and far easier to place on the z-plane of distance. I hear them described as “fast” or “clear” or “forward” all the time. With the DB25 connectors on the rear panel, wiring in all of your outboard gear takes a bit more planning at the beginning, as you’ll need to determine what kinds of connections you’ll want to run off each of the 8-channel input and output ‘banks’. Below are the minimum computer-system requirements for the Quantum 4848 interface. Then in 2019, PreSonus added the Quantum 4848 at a head-turning price of $1499.95. Windows® 10 (64-bit only) Intel® i5 processor or better; 4 GB RAM (8 GB or more recommended) Mac. Up to 4 Quantum 4848 interfaces via Thunderbolt 2 can be used simultaneously for up to 192x192 simultaneous inputs and outputs Signal LEDs for all 32 DB25 channels Compatible with Mac OS X 10.11.6 or higher, Windows 10 We recommend a rack.). Having engineered projects for the crustiest punk to the sportiest spice, he enjoys producing much more now that it’s not a day job. One insisted I was messing with them by sending identical files. Another interesting feature is Channel Profiles. Many prefer both. To be sure, the Quantum 4848 is here to do one job – and do it well. On the plus side, this makes cable management a much breezier affair, especially if you have other units or patchbays in your rack that use this standard. While this is fantastic for space saving, you will need to spend a fair amount of money on D-Sub cables. The 1U rackmount 48x48-channel interface is a fast, excellent-sounding interface that takes advantage of high-speed Thunderbolt 2 connectivity to achieve extremely low latency. Paul … On top of that is 16 digital channels. Nobody I know is dying to show off the pristine conversion of their interface the way they would a new compressor or microphone. I’ll get over it. (“Remember me?” The original Digidesign MBox played a huge part in creating the “All In One” converter market.). And more ins and outs than A Clockwork Orange. Judging by the following real-world tests, it would appear that PreSonus would agree. As my previous converters simply provided a green and red LED for each channel, I felt like using a single, multi-colored LED for each input was actually a stroke of simple genius for the PreSonus design team. It requires the purchase of (or for the brave, the soldering of…) several snakes to interface with the outside world. But I decided to mult the input and record both the dry and affected sound. Many of us have found ourselves disabling plug-ins to monitor from the DAW – or using our interface’s often-clunky-or-unstable add-on control software to create direct monitoring mixes. That’s going to be a challenge, even under the best of conditions. The real make-or-break of any recording gear is how it handles the delicacy and nuance of the human voice and the microphones and preamps we use to record it with. And yes, we’ll be taking a longer, more in-depth look at StudioOne at a later date. A 48 in, 48 out interface with 32 analogue in and outs and 16 ADAT in and outs which can offer latency close to that possible with Pro Tools HDX or UA Apollos. High-quality converters on every input and output provide 120 dB of dynamic range. Paul Drew takes it for a spin and gives his conclusion. 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