Subterranean Homesick Blues: A/ D If You Gotta Go, Go Now: G/ C Like A Rolling Stone: D b, It Takes a Lot to Laugh, it Takes a Train to Cry: A b /D b If Not for You: G Wallflower: sounds like a low F #, probably recorded in G Tangled Up in Blue: E Idiot Wind: E/ A Dylan might be seen in the same light. Information and translations of subterranean in the most comprehensive dictionary definitions resource on the web. Langhorne often played a large Turkish drum that had bells attached to the outside that made it sound like a tambourine. The entire "What ? That feeling might best be understood in Victorian author George Eliot's words, "aspiration without an object." It’s the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud. Subterranean Homesick Blues Lyrics Analysis Write your interpretation of each section of lyrics in the right hand column. If "Subterranean Homesick Blues" is his answer to that calling, it is, intentionally or unintentionally, a statement about the sheer illogicality of the "object" of "the voice of a generation." "Subterranean Homesick Blues" Johnny's in the basement Mixing up the medicine I'm on the pavement Thinking about the government The man in a trench coat Badge out, laid off Says he's got a bad cough Wants to get it paid off Look out, kid It's somethin' you did God knows when The narrative of the song might be thought of in context of the title, "Subterranean Homesick Blues," especially because the idea of the "subterranean" bookends the piece. Subterranean Homesick Blues: A2: She Belongs To Me: A3: Maggie's Farm: A4: Love Minus Zero/No Limit: A5: Outlaw Blues: A6: On The Road Again: A7: Bob Dylan's 115th Dream: B1: Mr. Tambourine Man: B2: Gates Of Eden: B3: It's Alright, Ma (I'm Only Bleeding) B4: It's All Over Now, Baby Blue The following month it was issued as a single, becoming his first Top 40 Billboard Hot 100 hit (#39) and going Top 10 in the UK. By the time you get to the end of Dylan's rapid-fire lyrical delivery, your reaction may well be exactly what Dylan holds up on his last cue card: "What ? ... 'Subterranean Homesick Blues' is certainly a major, major song but not in the same league as 'The Times They Are A-Changin'. Non-lyrical content copyright 1999-2020 SongMeanings, Javascript must be enabled for the correct page display, Subterranean Homesick Blues song meanings. Subterranean Homesick Blues is one of Bob Dylan's first counterculture hits to transcend genres, owing to the socially-relevant lyrics that elevated it to anthemic status in the1960s and expanded the song's citation beyond the art world. But where is the object? On the narrative level, there's a clear aspiration in the sense of the kid emerging from the underground and attempting to make a life. Bob Dylan was heavily inspired by the Beat Generation (the title of the song is an allusion to Jack Kerouac's novel The Subterraneans), and Dylan became close friends with the poet Allen Ginsberg. Subterranean är ett musikalbum av melodisk death metal-gruppen In Flames från Göteborg.Det släpptes 1994 av skivbolaget Wrong Again Records. While part of the charm of the song lies in the fact that the lines don't have to have concrete meaning, some of the lines can be explained through historical contextualization. Called the "voice of our generation" by fellow folk persona (and onetime lover) Joan Baez, Dylan found himself annointed a reluctant leader of the counterculture, at times even called a "prophet" or put up on a pedestal with poetic geniuses like T.S. ? Or maybe he's describing a more prosaic journey, from sleepy Minnesota to the big city, New York. He played the lead guitar parts on "Subterranean Homesick Blues" and "Maggie's Farm." Other movements, like the general rift between "square" culture and "hip" counterculture, find their way into the song, when Dylan sings "Twenty years of schoolin' / And they put you on the day shift." Create an account with SongMeanings to post comments, submit lyrics, and more. In “Subterranean Homesick Blues” the line is “You don’t need a weatherman [lowercase] to know which way the wind blows.” I don’t find it a hard line to understand; it means you don’t need someone to tell you the way things are going; you can figure that out for yourself. It begins "in the basement," and then we find our hero emerged "on the pavement," and ends with the Dylan suggesting we jump back into the "subterranean" through a manhole. The chaos of the shapeless age that Dylan found himself in wasn't exactly easy to use, however easy it was to acknowledge. Truth is chaos. Beats like Allen Ginsberg wrote spontaneous, emotional poems that, like "Subterranean Homesick Blues," are read as really really, really long sentences. Lines like, "Johnny's in the basement / Mixing up the medicine" obviously reference the LSD culture of the '60s, in which millions of tablets of "acid" were home-brewed in basements and laboratories, which resulted in fear and paranoia of government spying and crackdowns (which Dylan cleverly suggests entirely through metaphor—"heat" for the police, "plants" for microphones, "bed" for locations). The music video is evocative, yet perplexing. "Subterranean Homesick Blues" (feat. Brainstorm every possible meaning of these words and write them in the middle column before formulating your interpretation of each section of lyrics. The Beat connection might be important. "Subterranean Homesick Blues" is a song by Bob Dylan, originally released on the album Bringing It All Back Home in March 1965. In between a kind of madhouse of characters—the "man in the trench coat," "the man in the coonskin cap," "Maggie," "those who carry around a fire hose," "users, cheaters," "six-time losers"—meet the "kid" that Dylan consistently warns to "look out." Bob Dylan - Subterranean Homesick Blues Lyrics. It's something along those lines but maybe its that he is actually sick of the subterranean culture, homesick for a normal life, if he was playing it straight he wouldn't have to be thinking of the government comin to get him,"man in a coonskin cap in a pig pen" has to go score drugs from this greasy bastard who lives in a pig pen like a slob and its just a pain in the ass cause the guy wants 11 dollars bills but hes only got ten. Written by: Bob Dylan Johnny’s in the basement Mixing up the medicine I’m on the pavement Thinking about the government The man in the trench coat Badge out, laid off Says he’s got a bad cough Wants to get it paid off Look out kid Bringing It All Back Home (known as Subterranean Homesick Blues in some European countries) is the fifth studio album by American singer-songwriter Bob Dylan.It was released on March 22, 1965, by Columbia Records.. Andrew Bird) (originally by Bob Dylan) Johnny's in the basement Mixing up the medicine I'm on the pavement Thinking about the government The man in a trench coat Badge out, laid off Says he's got a bad cough Wants to get it paid off Look out, kid Dylan's own lines, though broken up and rhymed, are what Ginsberg called "long lines" in the Beat tradition. Joan Baez and Donovan, among others, are on hand. The upbeat tempo, electric instruments, and ‘stream of consciousness’ lyrical styling used throughout this song is a far cry from Dylan’s previous works. He played the lead guitar parts on "Subterranean Homesick Blues" and "Maggie's Farm." For the best experience on our site, be sure to turn on Javascript in your browser. The following month it was issued as a single, becoming his first Top 40 Billboard Hot 100 hit (#39) and going Top 10 in the UK. The speaker stops discussing the rebellious lifestyle tied to the “hip” drug culture, and cynically addresses the “square”; also known as the “working stiff” or “straight laced” member of society. Lyrics submitted by About Subterranean Homesick Blues "Subterranean Homesick Blues" is a song by Bob Dylan, recorded on January 14, 1965, and released as a single by Columbia Records, catalogue number 43242, on March 8. in the third stanza, while spelling "Success" as "Suckcess" drops a bit of social criticism into the mix. It was the lead track on the album Bringing It All Back Home, released some two weeks later. The underlined words are those with multiple meanings. If chaos is truth, and chaos is an indistinct, shapeless whirlpool, what is there to accomplish aside from becoming (to borrow another famous classic rock metaphor) another brick in the wall? it's no longer for dead political action commitee's who think they make the choices for the living "like who deserves to be a existentialist- the 66 is a moron.- you have to think to exist not talk to secret mommies and dada's - perry farrell I 'm going to shoot youand ron howard into the heart of the beast with your whining. The first song of Dylan’s album, Subterranean Homesick Blues, is sure to shock his devout folk music fans. That return, and what exactly the underground is, is open to interpretation. For those who want concrete answers, the problem with chaos is that it evokes more than it reveals. It instructs us simply to "Look out!" It’s super easy, we promise! My InterpretationOne of the first noticeable steps into Dylan's electric instability is the first song off his first '65 album Bringing It All Back Home, “Subterranean Homesick Blues”.This album was about when Dylan's stability began to deteriorate. Langhorne was the inspiration for the title character in Dylan's legendary song "Mr. Tambourine Man." In Browning's poem, a dramatic monologue just like "Subterranean Homesick Blues," the marvel that is the city (to the "Italian Person of Quality" speaking) is entirely inaccessible because "They have clapped a new tax upon salt, and what oil pays passing the gate / It's a horror to think of." But, is chaos a good thing? attitude of "Subterranean Homesick Blues" might best sum up Dylan's reaction to his emerging stardom. Dylan isn't interested in the narrative here, so much as the feeling—again, what the song evokes. Required fields are marked *, The meaning behind the music and words of Bob Dylan. Why do some of the cue cards deviate from the lyrics? Maybe beauty is chaos." Song Released: 1965. Johny's in the basement Mixing up the medicine I'm … In that vein, while "Subterranean Homesick Blues" seems intentionally confusing (maybe bringing to mind Shakespeare's timeless quote, "A tale ... full of sound and fury; signifying nothing") it certainly evokes several ideas. Don’t have an account? So are we. By entering your email address you agree to receive emails from Shmoop and verify that you are over the age of 13. Bob Dylan song meanings and interpretations with user discussion. Kitten_61, edited by luisjavier, perry10153, "Subterranean Homesick Blues" as written by Bob Dylan. ?" What meaning is hiding behind Dylan's placid expression? Eliot and Walt Whitman. It was Dylan's first Top 40 hit in the United States, peaking at number 39 on the Billboard Hot 100. The song has subsequently been reissued on numerous compilations, the first being the 1967 singles c… But how is anyone supposed to be the voice of his entire generation? Interpretation and context of Subterranean Homesick Blues lyrics, analyzed by PhD and Masters students from Stanford, Harvard, Berkeley Johnny's in the basement, mixing up the medicine I'm on the pavement, thinking about the government The man in the trench coat, badge out, From the opening sequence of Dylan holding up words to the soundtrack’s “Subterranean Homesick Blues,” Dylan is … Whatever they mean to you, the lyrics to "Subterranean Homesick Blues" rely partially on their cultural/societal context for meaning. "Subterranean Homesick Blues" has no answers. The final stanza of Browning's poem contains the lines: Look, two and two go the priests, then the monks with cowls and sandals, And the penitents dressed in white shirts a-holding the yellow candles, One, he carries a flag up straight, and another a cross with handles, And the Duke's guard brings up the rear for the better prevention of scandals. The fractured narrative of the song evokes many possible things, from Dylan's own commentary on his fame to more abstract concepts such as metaphorical birth. Whatever they mean to you, the lyrics to "Subterranean Homesick Blues" rely partially on their cultural/societal context for meaning. The lyrics leave us with no clear mission, no proclamations from on high. Tagged: No tags, suggest one. "Look out kid," for example, is accompanied by "Watch it!" "Subterranean Homesick Blues" is a song by Bob Dylan, recorded on January 14, 1965, and released as a single by Columbia Records, catalogue number 43242, on March 8. And that evocation is chaos. This cast of characters take the kid through a fast-forwarded life, characterized only by the consistency of demands and the chaotic turn of events, from drug busts to wiretapping to the Civil Rights Movement to the day shift. All musik är skriven av In Flames och texterna av Henke Forss. Here's the famous intro to the greatest Beat poem, Ginsberg's Howl: I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the n**** streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz…. For the best experience on our site, be sure to turn on Javascript in your browser. It was the lead track on the album Bringing It All Back Home, released some two weeks later. The song seems to have been inspired by events in Dylan’s life – the circumstances of his first marriage and its break-up. Langhorne often played a large Turkish drum that had bells attached to the outside that made it sound like a tambourine. It is the transformation that counts. JavaScript seems to be disabled in your browser. Chaos... maybe there lies a lead. “Subterranean Homesick Blues” is concluded with another oft-used tool in Dylan’s extensive lyrical arsenal: the “twist”. Bob Dylan: Subterranean Homesick Blues Meaning. Interestingly, the film starts with what now looks a heck of a lot like the world's first music video (even though Pennebaker and Dylan probably wouldn't have thought of it that way at the time). Perhaps because “Tangled Up in Blue” seems decipherable (as opposed to “Subterranean Homesick Blues” and “Lily, Rosemary, and the Jack of Hearts,” which are willingly and cheerfully incomprehensible), I have long been fixated on figuring out what exactly is going on in the song. Dylan may be being somewhat autobiographical, metaphorically describing his dizzying ascent to the pinnacle of American pop culture. fuck you junkinkiesthis the 1 and only claivoyant and misanthropic dollmakers- remember the world is staged be the puppet masters- also serpentines and cryptkeepers-this song happens in my room every 5 seconds- "we" the ones with souls not the "wee young and strong " and "it's mybody my work"- as if bob dylan didn't put a finger on sheet of paper in his life- "don't want be a bum -you are chewing gum- the akira blob thing "666 " 616 go ahead send your clarvoyants you retardfaust's writing the girl with the pearl earing and memoirs of as geisha and the the secrewt last 10 days of tolstoy that s totally dan brown and bye bye illuminati- you raped Agnes- not heratic agnes- moron- intrestedin ghost? Commentary. The song is crammed full of zen phrases, hipsterisms, and koans to a chaotic degree. Get "Subterranean Homesick Blues" on MP3: Get MP3 from iTunes. The more I think about the lyrics the less clear it becomes, All I know is that I don't really know what it means. Shmoop guide to Subterranean Homesick Blues lyrics. At the time, Bob Dylan was just a kid, a serial run-away who had changed his name (originally Robert Allen Zimmermann), moved from Minnesota to New York, and tried to turn himself into a disciple of folk elders Woody Guthrie and Pete Seeger. Other times, Dylan uses the cards for comic purposes, with intentional mistakes and misspellings. Dylan really embraces the outlaw song on Bringing It All Back Home. At times, Dylan seems to have trouble keeping up with the pace of the song, as the lyrics whiz by at the point of incomprehensibility. So thats why he says like that.. attention- this is "a mule operation song" a song of the dead man. The poem expresses a distinct Victorian feeling that Dylan shares. Langhorne was the inspiration for the title character in Dylan's legendary song "Mr. Tambourine Man." “Outlaw song” is the term Woody Guthrie used to categorize songs that contain rebellious, anti-authority ideas. Maybe he regrets becoming a sort of spokesperson for this underground lifestyle cause it really doesn't accomplish shit so he says "don't be a bum you better chew gum"(maybe an alternative to drug use) "the pump don't work cause the vandals took the handles" rebellious vandals trying to fight the system by making life more difficult for everyone. - I have them all- it's a challenge asshole- hackett- you get nigger help- either does carol King- or heraatic jesus "the age of aquarius" from 'your" anus" no soul is pleased with the primarally white wiccan fantasy that they aren't the beast and the triple goddess cleopatra venus and a few saints- and Babylon - who will sucker punch you- tell your frein, Yeah -- this songs sounds like modern rapp song... 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